Parlee: Unveiling the Murals of East London

mural by parlee parlee

Title: Mural by Parlee

  • Creator: Parlee
  • Creator Lifespan: Unknown
  • Creator Gender: Male
  • Date: 2012/2014
  • Location Created: East London – Brick Lane Area

Exploring Parlee’s Urban Artistry

In the vibrant streets of East London’s Brick Lane Area, the enigmatic street artist known simply as Parlee left an indelible mark through striking murals. With little public information about the artist’s personal details, Parlee’s creations stand as the voice that resonates through visually arresting murals.

Unraveling Parlee’s Murals

The murals attributed to Parlee reflect a unique amalgamation of creative vision and artistic technique. Each mural, bearing the distinctive stamp of the artist, communicates its narrative through bold strokes, vibrant colors, and compelling imagery. Parlee’s artworks invoke a sense of curiosity and contemplation among passersby.

Parlee’s Contribution to Global Street Art

Under the umbrella of the Global Street Art Foundation, Parlee’s murals became part of London’s vibrant street art landscape. Despite the elusive nature of the artist, the visual impact of Parlee’s murals transcends the anonymity, leaving an enduring legacy in the realm of urban art.

Mysterious Legacy in London’s Street Art Scene

Parlee’s murals, captured in the lens of Lee Bofkin on behalf of Global Street Art, invite onlookers to ponder and appreciate the anonymity that often characterizes street art. The artworks stand tall as a testament to the power of art to communicate, inspire, and provoke thoughts without the necessity of a known identity.


Parlee’s murals in East London serve as a testament to the powerful impact of street art on urban landscapes. The anonymity of the artist only adds to the allure and intrigue of the murals, allowing viewers to interpret and appreciate the art on its own merits. As a figure cloaked in mystery, Parlee’s legacy endures through the vibrant and captivating murals that adorn East London’s streets.

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